Discover the Best of British Comedy Stand Up: A Curated Selection

Right then, let's have a natter about some of the best bits of British comedy stand up. It can be a bit of a minefield trying to find the good stuff, can't it? You've got your big names, your hidden gems, and everything in between. This selection is all about shining a light on some of the shows and venues that have given us plenty of laughs over the years, offering a real taste of what makes UK stand up so special. Whether you're a seasoned fan or just dipping your toe in, there's bound to be something here to tickle your fancy.

Key Takeaways

• Shows like 'The Alternative Comedy Experience' and 'Stewart Lee's Comedy Vehicle' have championed a different, often more thoughtful, style of british comedy stand up, moving away from mainstream formats.

• Venues such as 'The Stand' in Edinburgh and 'The Comedy Store' are vital hubs for live stand up, providing a platform for both established and emerging talent.

• While shows like 'Michael McIntyre's Comedy Roadshow' offer broad appeal, others focus on a more curated or niche selection of comedians, reflecting diverse comedic voices.

• The format of stand up shows can significantly impact how comedians' material is received, with shorter, punchier sets contrasting with longer, more developed pieces.

• The landscape of british comedy stand up is constantly evolving, with new shows and platforms emerging that challenge traditional broadcasting methods and showcase a wider range of performers.

The Alternative Comedy Experience

Right then, let's talk about 'The Alternative Comedy Experience'. This wasn't just another stand-up show; it was a deliberate move to showcase comedians who didn't quite fit the usual mould you'd see on mainstream telly. Think of it as a bit of a rebellion against the safe, predictable stuff. The whole idea was to capture the unique vibe of live performances, giving viewers a taste of what it's like to actually be there, watching these brilliant, sometimes odd, but always compelling acts.

The show aimed to present a different flavour of comedy, one that felt more genuine and less polished. It brought together a really diverse bunch of performers. You had people doing sharp political commentary, others with wonderfully silly material, and some who just had a completely unique way of looking at the world. It was about celebrating those comedians who might be a bit too cerebral, too independent, or just plain too strange for the standard TV slots.

Here's a look at the kind of variety you could expect:

• Political Satire: Comedians offering sharp takes on current events and societal issues.

• Absurdist Humour: Acts that played with logic and reality in hilarious ways.

• Observational Comedy: Those who find the funny in everyday life, but with a twist.

• Character-Based Acts: Performers embodying unique personas to deliver their jokes.

It was a bit like an art-house documentary crossed with a stand-up showcase. The format allowed comedians to show sides of themselves that often get missed on panel shows or shorter formats. It really highlighted how some acts are just too evolved or particular to be easily chopped up into bite-sized clips for broader shows. You could see them develop their material, and the backstage interviews added another layer, trying to get to the bottom of what made them tick. It was a chance to see comedians like Tony Law and Sam Simmons, who have such a distinct style, get the spotlight they deserved, rather than just a quick gag on a bigger programme. It felt like a genuine attempt to capture something special, a parallel world of comedy that deserved its own platform. If you're interested in the roots of modern British humour, exploring the Edinburgh Fringe scene is a good place to start understanding this kind of comedy.

Stewart Lee's Comedy Vehicle

Stewart Lee's show, 'Comedy Vehicle', is a bit of a Marmite affair, really. You either love his particular brand of deconstructionist, meta-commentary on comedy, or you really, really don't. He's a comedian who often talks about comedy itself, and sometimes, whether he's actually being funny. It's a style that polarises audiences, leading to some pretty strong opinions, as you can see from the feedback.

Some people find his approach incredibly insightful, appreciating the way he dissects jokes and societal norms. Others, however, feel it's overly intellectual, a bit smug, and frankly, not very amusing. It's a show that demands your attention, and if you're not on board with his wavelength, it can feel like a bit of a slog.

Here's a quick look at the kind of reactions his work tends to provoke:

• The Intellectual Appeal: For fans, Lee's shows are a masterclass in comedic theory, exploring the boundaries of what stand-up can be.

• The "Get It" Factor: There's often a sense that you need to 'get' Lee's jokes, which can be alienating for some viewers.

• The Polarising Nature: His style consistently divides opinion, with strong feelings on both sides of the fence.

• The Meta-Commentary: He frequently breaks down the mechanics of his own performance, making the audience aware of the artifice.

It's a show that doesn't shy away from controversy or self-examination. Lee often uses his platform to critique societal issues, but he does so through a lens that questions the very act of doing so, creating a complex and sometimes uncomfortable viewing experience.

Ultimately, 'Stewart Lee's Comedy Vehicle' isn't for everyone. It's a show that challenges expectations and, for better or worse, leaves a lasting impression.

The Comedians

When you think about British comedy, a whole host of names probably spring to mind. It's a rich landscape, isn't it? From the big arena fillers to the more intimate club acts, there's a real variety. The sheer talent pool in the UK is something to be proud of.

It's interesting to consider how different shows capture different aspects of this. Some programmes, like Michael McIntyre's Comedy Roadshow or The Apollo, tend to showcase established acts delivering polished, crowd-pleasing sets. They're great for a laugh, no doubt, and often feature comedians who are household names. These shows often feature acts that are well-known for their appearances on programmes like Mock The Week.

However, there's a whole other side to it, a more experimental or perhaps just less mainstream approach. Shows like 'The Alternative Comedy Experience' aimed to capture a different vibe. They brought together acts with diverse styles, from political commentary to pure silliness, often in smaller, more intimate settings. This approach allowed for a look at comedians who might not fit neatly into the mould of the big Saturday night entertainment shows.

Here's a look at some of the ways comedians are presented:

• Big Show Acts: Polished, often observational humour, designed for broad appeal. Think of the comedians you see headlining major tours.

• Club Comics: Grittier, often edgier material, honed in the crucible of live comedy clubs. They might not be on your TV every week, but they're masters of their craft.

• Alternative Acts: Experimental, boundary-pushing, or niche comedians who might not appeal to everyone but have a dedicated following.

The landscape of British stand-up is constantly evolving. What one person finds hilarious, another might not connect with. It's this very diversity that makes it so vibrant and exciting to follow.

Ultimately, who you consider the 'best' is down to personal taste. Whether you prefer the big, booming laughs of a stadium show or the sharp wit of a comedian in a small room, there's something for everyone. It's a testament to the enduring appeal of a good joke, well told, that British comedians continue to thrive.

Michael McIntyre's Comedy Roadshow

Michael McIntyre's Comedy Roadshow was a bit of a phenomenon back in the day, wasn't it? It brought stand-up comedy right into people's living rooms, often from some pretty unexpected places.

The show's big appeal was its ability to showcase a wide range of comedic talent in a lively, accessible format. It wasn't just about Michael McIntyre himself, though he was certainly the main draw. He'd travel around the UK, setting up shop in different towns and cities, and then invite a selection of comedians to perform their sets. You'd get a mix of established names and newer faces, all performing for a local audience. It felt quite special, like a big comedy party rolling into town.

What made it stand out was the variety. You could expect anything from observational humour about everyday life to more surreal or character-based acts. It really captured the spirit of live comedy, with the audience reactions being a big part of the show's energy. It was filmed in various locations, from village halls to larger theatres, giving each episode a unique feel.

Here's a look at what you might have seen:

• A headline set from Michael McIntyre, usually packed with relatable anecdotes and energetic delivery.

• Performances from a handful of other comedians, offering different styles and perspectives.

• Interactions with the local audience, often featuring some light-hearted banter.

The show aimed to capture the buzz of live stand-up, making it feel like you were right there in the audience, sharing the laughs with everyone else. It was a real celebration of British comedy talent.

It was a great platform for many comedians, giving them a chance to reach a much bigger audience than they might have otherwise. You'd often see acts on the Roadshow who would then go on to have their own successful tours and TV specials. It was a proper showcase, really.

The Stand

Right then, let's talk about The Stand. It's a proper comedy club, you know, the kind that feels like it's really about comedy. They've got a few venues, but the one in Edinburgh is particularly well-regarded. It’s got this atmosphere that just works for stand-up, a bit intimate, a bit raw. You can really feel the energy in the room when a good comic is on.

It’s a place where comedians often get their start or hone their craft, away from the glitz of bigger TV shows. You'll find a mix of faces, some you'll know, and some you won't, but that's part of the charm. It’s not always about the big names; it’s about the jokes landing and the audience having a good time. Reviewers often mention how the hosts do a cracking job keeping things moving, even if sometimes the very end of the night could be a bit stronger.

Here’s what you might expect:

• A diverse lineup of comedians, from rising stars to seasoned pros.

• An atmosphere that’s genuinely focused on stand-up comedy.

• The chance to see acts in a more intimate setting than you might be used to.

It’s definitely a spot that serious comedy fans should check out if they're in the area. You might just discover your new favourite comic there. It’s a solid choice for a night out if you’re looking for some laughs. You can find out more about their Edinburgh venue and what's on.

The vibe at The Stand is often described as authentic, a place where the art of stand-up is truly appreciated by both performers and the audience. It’s less about polished routines and more about the immediate connection between the comedian and the crowd.

Apollo

Apollo is one of those shows that really champions the up-and-coming talent, the ones you might not see on the big, flashy programmes just yet. It's a bit like a proving ground, really. You get to see comedians who are honing their craft, often delivering really sharp, well-reworked material. It’s not always about the massive laughs every single second, but more about the cleverness and the unique perspective they bring.

Think of it as a place where the foundations of future comedy stars are laid. They might not have the stadium tours yet, but the quality of the writing and performance is often top-notch. It’s a good spot to catch acts before they become household names, giving you that feeling of discovering something special.

Here’s what you can generally expect:

• A focus on newer or less mainstream comedians.

• Sets that are often more thoughtful or experimental.

• A chance to see comedians developing their signature styles.

• A generally more intimate feel compared to larger shows.

The acts featured on Apollo often represent the cutting edge of stand-up, showcasing a diverse range of voices and approaches. It’s a show that values the art form itself, rather than just chasing the biggest names. It’s a bit of a breath of fresh air in the comedy landscape, offering something a little different for those who appreciate the nuances of stand-up.

Sometimes, the most interesting comedy isn't the kind that fills the biggest arenas. It's the stuff that pushes boundaries and makes you think, even if it's just for a moment. Apollo often provides that space for comedians to explore their ideas without the pressure of massive commercial expectations.

The Comedy Store

The Comedy Store is a bit of a legendary spot in the UK comedy scene. It's been around for ages, and loads of famous comedians got their start there, or at least honed their craft on its stage. It's known for being a place where comics can really try out new material, and the audience is usually pretty up for it, expecting a good laugh.

It's basically a proving ground for stand-up talent.

Here's what makes it stand out:

• Open Mic Nights: These are a big deal. It's where aspiring comedians get their five minutes to shine, or bomb, in front of a live crowd. You never know what you're going to get, which is part of the fun.

• Professional Showcases: Alongside the new talent, they regularly host nights featuring established pros. This means you can often catch a mix of rising stars and seasoned veterans all in one go.

• The Atmosphere: It's usually a pretty intimate setting, which helps create a direct connection between the comedian and the audience. You feel like you're really part of the show.

The Comedy Store isn't just a venue; it's an institution. It's where the pulse of British stand-up can often be felt, from the raw energy of newcomers to the polished routines of the pros. It’s a place that respects the art of the joke and the courage it takes to stand up and deliver it.

If you're looking to see comedy in its rawest form, or just want a guaranteed good night out, The Comedy Store is definitely worth checking out. You might just see the next big thing before they hit the telly.

Mock The Week

Mock The Week was a bit of a staple for a good while, wasn't it? It was one of those panel shows that really felt like it had its finger on the pulse of what was happening, especially in the news and politics. You'd get a mix of comedians, some you'd know from other shows, and some who were maybe a bit newer, all trying to be funny about the week's events. It was fast-paced, often quite sharp, and you never quite knew where it was going to go.

The show's format was pretty straightforward: two teams, usually captained by a regular, would go head-to-head in a series of rounds. These rounds often involved improvising jokes based on news headlines or answering questions in a funny way. It was a real test of quick thinking and comedic timing.

Here's a look at some of the elements that made it tick:

• The Panelists: A rotating cast of comedians, from seasoned pros to rising stars, brought their unique styles and perspectives. You'd often see familiar faces like Dara Ó Briain and Hugh Dennis, but the show was also a great platform for newer talent to get noticed.

• The Rounds: From 'Scenes We'd Like to See' where they'd act out funny scenarios based on news stories, to 'Stand-Up Round' where a comedian would do a short set, each segment offered a different comedic challenge.

• The Topicality: What really set Mock The Week apart was its commitment to being current. The jokes were almost always about what had happened in the last seven days, making it feel relevant and often quite daring.

It was the kind of show where you'd find yourself laughing one minute and then thinking, 'Oh, that's a bit cheeky,' the next. It wasn't afraid to push boundaries a little, which is probably why it stayed popular for so long. It managed to be both silly and smart, a tricky balance to strike.

The Chase

While many people know Paul Sinha from his regular gig as a quiz master on the ITV show The Chase, his roots are firmly planted in stand-up comedy. He's been performing for years, long before he started asking those tricky questions about general knowledge. It's this dual career that makes him such an interesting figure in British comedy.

Sinha's stand-up style is often sharp, observational, and can be quite political. He's not afraid to tackle difficult subjects, and his delivery is usually very precise. You might see him at a big comedy club one night and then catch him discussing his experiences with a 'rude comedy legend' at a charity gig the next. It shows a real versatility that you don't always get to see on a panel show.

Here's a little of what makes his stand-up stand out:

• Intellectual Humour: He often weaves in references to history, philosophy, and current affairs, making you think as much as you laugh.

• Personal Anecdotes: Sinha shares personal stories from his life, offering a candid and often humorous perspective.

• Sharp Wit: His jokes are well-crafted and delivered with a dry, intelligent humour that many fans appreciate.

It's easy to pigeonhole comedians based on their most visible roles, but Sinha's dedication to stand-up shows a different side. He's a comedian's comedian in many ways, respected by his peers for his craft.

If you've only seen him on The Chase, it's worth seeking out some of his stand-up material. You'll find a comedian with a lot more depth and a different kind of challenge for the audience than just answering trivia questions. He's a great example of how comedians can have varied careers, bringing different facets of their talent to different platforms. You can find out more about his comedy journey here.

Head Farm

Right, so 'Head Farm'. This one's a bit of a deep cut, isn't it? It wasn't exactly a household name, more of a pilot that didn't quite make it to series. Think of it as a bit of an early experiment, a testing ground for some seriously talented people.

It was an early Channel 4 pilot from the early 2000s, executive produced by Stewart Lee. The idea was to showcase new comedy talent, and it certainly had a cracking lineup. We're talking about names that would go on to become much bigger things, like Matt Holness and Richard Ayoade, who later brought us Garth Marenghi's Darkplace. Plus, The Mighty Boosh were involved, which is always a good sign. Karen Taylor and Johnny Vegas were also on the bill, adding their unique styles to the mix.

It's interesting to think about what might have been. Pilots like this are where a lot of the groundwork gets laid for future comedy hits. They're not always polished, and sometimes they don't get picked up, but they're a vital part of the comedy ecosystem.

Here's a look at some of the talent featured:

• Matt Holness

• Richard Ayoade

• The Mighty Boosh

• Karen Taylor

• Johnny Vegas

It's a shame it didn't get a full run, but that's just how the TV world works sometimes. Still, it's worth remembering as a stepping stone for some of the UK's best comedians.

So, What's Next for British Comedy?

Right then, that's a quick look at some of the brilliant comedy talent we've got kicking about. It's a bit of a mixed bag, isn't it? From the quick one-liners to the more thoughtful stuff, there's definitely something for everyone. It's good to see so many different styles getting a shout-out, and hopefully, this has given you a few ideas for your next comedy binge. Keep an eye out for these names, and who knows, you might just discover your new favourite comedian. Cheers!

Frequently Asked Questions

What kind of comedy shows are featured in this selection?

This selection focuses on British stand-up comedy, featuring a mix of established names and newer talent. It includes shows that offer a different, perhaps more 'alternative', take on stand-up compared to mainstream programmes.

Are these shows suitable for everyone?

While the aim is to showcase great British comedy, some shows might have a more niche appeal or tackle subjects that are more thought-provoking. It's a good idea to check out clips or descriptions to see if they match your sense of humour.

What's the difference between shows like 'Michael McIntyre's Comedy Roadshow' and 'The Alternative Comedy Experience'?

'Michael McIntyre's Comedy Roadshow' often features more widely known comedians with broadly appealing jokes. 'The Alternative Comedy Experience', on the other hand, aims to show a wider range of styles, including acts that might be a bit more unusual or experimental.

Are there any older comedy shows mentioned?

Yes, the article touches on older TV shows from the 70s, like 'The Comedians', to explain the inspiration behind some of the newer formats. It's interesting to see how comedy has changed over the years.

Where can I watch these shows?

Information on where to watch specific shows can vary as they might be broadcast on different TV channels or available on streaming services. It's best to check the individual show's details or the broadcaster's website.

What makes a comedy show 'alternative'?

Generally, 'alternative comedy' refers to acts that move away from traditional joke structures or subject matter. They might be more observational, political, surreal, or simply have a unique way of telling jokes that sets them apart.