The Best UK Sketch Comedy Shows You Need to Watch

Right then, let's talk about telly. Specifically, the funny stuff. The UK has a long history of making people chuckle, and not just with the usual sitcoms. We're talking about sketch shows – those brilliant bits of television where you get a load of different characters and silly situations all rolled into one. Some of these have been around for ages, others are more recent, but they all have that special something that makes them proper uk sketch comedy shows. It can be hard to keep track of all the good ones, so I've put together a list of some absolute crackers you should definitely check out if you haven't already. Get ready for some laughs!

Key Takeaways

• The UK has a rich history of producing popular and influential uk sketch comedy shows across different eras.

• Shows like 'The Morecambe & Wise Show' and 'The Fast Show' represent classic British humour with memorable characters and routines.

• Modern uk sketch comedy shows such as 'Mitchell And Webb' and 'Catherine Tate Show' continue to innovate with sharp writing and performance.

• Many uk sketch comedy shows have found success by parodying different aspects of British life, culture, and media.

• From surreal humour to sharp satire, these uk sketch comedy shows offer a diverse range of comedic styles that have resonated with audiences for years.

1. The Morecambe & Wise Show

Right then, let's talk about Eric Morecambe and Ernie Wise. These two were absolute legends, weren't they? Their show, which ran for years, wasn't just a comedy programme; it was a national institution. They had this knack for making everything feel so warm and familiar, even with all the glitz and glamour of their celebrity guests. You'd have these huge stars, people like André Previn, popping up in sketches, and Eric and Ernie would just be themselves, a bit cheeky, a bit daft, but always incredibly funny.

What made them so special? Well, it was a mix of things. Eric's sharp wit and Ernie's earnest, slightly pompous persona created a perfect comedic pairing. They played on their strengths, and the audience just lapped it up. It was proper, old-school entertainment that appealed to everyone.

• The "What do you think of it so far?" routine: A classic example of their meta-humour, where they'd break the fourth wall and comment on the show itself.

• The elaborate, often disastrous, stage acts: These sketches usually involved Ernie trying to put on a grand performance, only for Eric to sabotage it in the most hilarious ways.

• The celebrity guests: Morecambe & Wise were known for getting some of the biggest names in show business to appear, often playing along with the comedy.

It’s easy to see why they’re still remembered so fondly. They brought a lot of joy to people's lives, and their influence on British comedy is undeniable. If you're looking for a taste of classic British humour, you really can't go wrong with The Morecambe & Wise Show. It’s the kind of show that makes you feel good.

They had a way of making even the most complicated-looking sketch feel effortless, a testament to their years of experience and genuine chemistry. It wasn't just about the jokes; it was about the characters and the world they created.

2. Brass Eye

Right, let's talk about Brass Eye. This show, created by and starring the brilliant Christopher Morris, was something else entirely. It basically took the piss out of the way news programmes reported on sensationalist stories, and it did it with such a deadpan, almost aggressive style that it was genuinely shocking at times. You'd get these utterly ridiculous made-up news items, complete with fake vox pops and Morris himself playing the most patronising news anchor you've ever seen.

It was a masterclass in satire, pushing boundaries and making you question everything you saw on telly. The show wasn't afraid to be controversial, often tackling subjects that other programmes wouldn't touch with a bargepole. It felt like it was genuinely trying to wake people up to the media's manipulation.

Here are a few things that made Brass Eye stand out:

• The 'Hard-Hitting Research' segments: These were pure gold, with Morris presenting utterly nonsensical 'facts' with absolute conviction.

• The 'Guest' Interviews: Often featuring real people who thought they were being interviewed for a serious documentary, only to be completely blindsided by the absurdity.

• The sheer audacity: It was fearless in its approach, never shying away from the most outlandish scenarios.

It's the kind of show that stays with you long after you've watched it, making you look at news reporting in a completely different light. If you're into comedy that makes you think, and maybe makes you a little uncomfortable, then Brass Eye is definitely one to seek out. You can find out more about its impact and legacy on British TV comedy.

The show's format was so unique, blending mock news reports with surreal sketches and interviews. It felt like a genuine commentary on the state of media and public perception, delivered with a dark, often uncomfortable, sense of humour. It wasn't just funny; it was clever and, in its own way, quite profound.

3. Harry Enfield & Chums

Right then, Harry Enfield. This chap really knew how to capture the spirit of Britain, didn't he? Back in the day, his shows were just essential viewing. You had all those characters that felt so familiar, like you knew them down the pub or at school. The sheer variety of sketches and the way he poked fun at everyday life was brilliant.

He brought us some absolute gems. Think about:

• Tim-Nice-But-Dim: That posh bloke who was just a bit clueless, bless him.

• The Slobs: Gary and Lee, the ultimate layabouts.

• Smashie and Nicey: The radio DJs who were always on the brink of a breakdown.

• Kevin and Perry: Those teenagers desperate to be cool.

And then there was 'Harry Enfield & Chums', which took things up a notch. It felt like a natural progression, building on the success of his earlier work. It’s a great place to start if you're looking to explore his comedy, and you can find it available to stream on Now TV.

The show wasn't afraid to be a bit silly, but underneath all the laughs, there was often a clever observation about British society. It’s that blend of the absurd and the relatable that made it so special and why it still holds up today.

4. The Catherine Tate Show

Right then, let's talk about The Catherine Tate Show. This one really hit its stride between 2004 and 2009, bringing us a whole host of characters that, let's be honest, you probably still hear in your head now and then. Catherine Tate herself is a proper talent, isn't she? She’s the driving force behind it all, writing and performing as pretty much everyone.

The show's real strength was its character work, creating instantly recognisable, often exaggerated, but always funny people. You had Nan, the foul-mouthed pensioner, Lauren 'Bovvered?' Cooper, perpetually unimpressed, and the Aga Saga Woman, who was utterly horrified by anything remotely normal. It wasn't just about catchphrases, though; there was a genuine sharpness to the writing that poked fun at different aspects of British life.

Here are a few of the standouts:

• Nan: A grumpy, opinionated old dear who wasn't afraid to tell you exactly what she thought, usually with a liberal dose of swearing.

• Lauren Cooper: The teenager who perfected the art of the eye-roll and the monosyllabic response, often leaving her teachers utterly bewildered.

• Aga Saga Woman: Representing a certain type of middle-class parent, utterly out of touch and terrified of anything that wasn't perfectly curated.

It’s a show that managed to be both silly and surprisingly insightful, capturing a specific kind of British humour. If you're looking for some classic sketch comedy that still holds up, you can't go far wrong with Catherine Tate's work.

The series was brilliant at taking everyday situations and twisting them into something hilariously absurd. It’s that ability to find the funny in the mundane that made it so popular.

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5. Mitchell And Webb

David Mitchell and Robert Webb are a comedy duo that’s been around for ages, and for good reason. They’ve got this knack for taking everyday situations and twisting them into something hilariously absurd. Their sketch show, "That Mitchell and Webb Look," is a prime example of this. It’s packed with memorable characters and scenarios that often leave you thinking, “Did they really just go there?”

One of their most famous sketches, the one with the two SS officers asking, “Are we the baddies?”, is a perfect illustration of their style. It’s funny, but it also makes you think a bit, which is a nice touch. They manage to blend silliness with a bit of clever observation.

Here are a few things that make their sketches stand out:

• Unexpected twists: Just when you think you know where a sketch is going, they’ll throw in a curveball.

• Character work: Even in short sketches, they create characters that feel distinct and often quite peculiar.

• Dialogue: Their writing is sharp and often plays with language in a really funny way.

If you're new to their work, it's definitely worth checking out "That Mitchell and Webb Look" to get a feel for their comedy. It’s a show that really showcases their range and their ability to craft genuinely funny moments, like the one where a shopkeeper suggests a woolen dog. They’ve got a way of making the mundane feel extraordinary, and that’s a rare talent in comedy.

They have a way of building up a scenario, often with a serious tone, only to completely deflate it with a ridiculous punchline or a sudden shift in perspective. It’s this unpredictability that keeps you hooked.

It’s not just about the laughs; it’s about the cleverness behind the jokes. They’ve produced a lot of material over the years, and while not every sketch lands perfectly, the hits are truly brilliant and have cemented their place in UK sketch comedy history.

6. Horrible Histories

Right, let's talk about Horrible Histories. This show was an absolute gem, wasn't it? It managed to make learning about the past genuinely funny, which is no small feat. It’s the kind of show that sneaks education into your brain while you’re busy laughing your socks off.

They really nailed the spoof music video format, taking historical figures and events and giving them a modern pop-culture twist. Think Charles II doing an Eminem impression or Cleopatra belting out a Lady Gaga tune. It was pure genius. The Viking Song, 'Literally (The Viking Song)', a soft rock pastiche, is still stuck in my head sometimes. You know, the one with the Vikings looking all moody and singing about losing their heads. Classic.

Here are just a few of the historical periods they hilariously tackled:

• The Stone Age

• The Romans

• The Tudors

• The Victorians

• World War I

The brilliance of Horrible Histories was its ability to appeal to both kids and adults. It didn't shy away from the grimier, more gruesome aspects of history, but it presented them in a way that was accessible and, dare I say, entertaining. It’s a testament to how effective comedy can be as a teaching tool.

It’s a shame more shows like this don't get made. It really showed how sketch comedy could thrive, even on children's television, by being smart, funny, and a bit daring. If you missed it the first time around, definitely seek it out. It’s a proper piece of UK comedy history.

7. Trigger Happy TV

Right, let's talk about Trigger Happy TV. This show, fronted by Dom Joly, was pure, unadulterated silliness that somehow felt both completely daft and surprisingly insightful. It was the kind of sketch show that relied on a simple, often absurd, premise and then just ran with it, usually involving Joly himself causing mild chaos in public places while hidden cameras rolled.

The show's genius lay in its ability to capture the awkwardness of everyday life and amplify it to ridiculous proportions. Think about the classic 'big phone' sketch. Back when mobile phones were these enormous bricks, Joly would be seen answering his in the quietest, most inappropriate places imaginable – libraries, cinemas, you name it. It was a brilliant, if slightly mean-spirited, commentary on the early days of mobile phone etiquette, or lack thereof. It really makes you think about how much we've changed, doesn't it?

Beyond the big phone, there were other memorable bits. The 'Grey Squirrel' character, for instance, was just bizarrely funny, and the chap advertising a ski school while sporting multiple broken limbs was a masterclass in dark humour. It wasn't about complex characters or intricate plots; it was about the immediate, laugh-out-loud absurdity of the situation.

Trigger Happy TV tapped into a very British sense of humour – a bit awkward, a bit surreal, and always willing to poke fun at ourselves and the world around us. It was the perfect antidote to anything too serious.

Here are a few things that made Trigger Happy TV stand out:

• Public Pranks: The show's format was built around hidden camera pranks in public spaces.

• Absurdist Humour: The sketches often relied on surreal and unexpected scenarios.

• Dom Joly's Persona: Joly's deadpan delivery and distinctive look were central to the show's appeal.

It’s a shame shows like this don't come around too often these days, but you can still find clips online if you fancy a bit of a laugh. It’s a good reminder of a simpler, sillier time in British comedy, and you can still catch some of the best of British comedy on various streaming platforms.

8. Little Britain

Right, let's talk about Little Britain. This show was, and still is, a bit of a phenomenon. It’s one of those programmes that you either loved or found utterly baffling, and honestly, there wasn't much middle ground. Matt Lucas and David Walliams really went for it, creating a whole cast of characters that became instantly recognisable, even if they were completely outrageous.

The show's genius lay in its ability to poke fun at British stereotypes and social quirks, pushing them to absurd extremes. From Vicky Pollard, the perpetually pregnant teenager, to Lou and Andy, the wheelchair-bound prankster and his long-suffering mate, the characters were unforgettable. Then there was Dafydd Thomas, the only gay in the village, or the Prime Minister and his aide, Michael, who seemed to be running the country from a pub.

It wasn't just the characters, though. The catchphrases were everywhere. "Yeah, but no, but yeah, but..." and "Computer says no" became part of everyday conversation for a while. It was a sketch show that really tapped into something, even if that something was a bit weird and wonderful.

• Vicky Pollard: The ultimate teen delinquent.

• Lou and Andy: A masterclass in physical comedy and deception.

• Dafydd Thomas: The self-proclaimed 'only gay in the village'.

• The Prime Minister: A leader more concerned with his aide than national policy.

Little Britain was a show that wasn't afraid to be controversial. It took everyday situations and twisted them into something hilariously uncomfortable, making you question what was acceptable and what was just plain silly. It’s a prime example of how sketch comedy can hold up a mirror to society, albeit a very warped one.

While it certainly had its critics, and some of the humour hasn't aged perfectly, there's no denying the impact Little Britain had on British comedy. It was bold, it was loud, and it was undeniably funny to millions.

9. Green Wing

Right, let's talk about Green Wing. This show, which ran from 2004 to 2007, was a bit of a wild ride. It's set in a hospital, but don't expect your typical medical drama. Instead, it’s a surreal, often dark comedy that throws you headfirst into the chaotic lives of its staff. The humour is sharp, sometimes a little bit bonkers, and it really leans into the absurdity of everyday situations, especially within the high-pressure environment of a hospital.

The show really excelled at creating characters that were both deeply flawed and strangely compelling. You had Dr. Caroline Todd, a new surgical registrar trying to find her feet, and the utterly self-absorbed Dr. Guy Self, who was just a joy to watch in his awfulness. Then there's the ever-optimistic but slightly unhinged HR rep, Joanna Clore. It’s this mix of personalities, all tangled up in bizarre relationships and professional rivalries, that makes it so watchable.

What sets Green Wing apart is its visual style and editing. It’s fast-paced, with quick cuts, dream sequences, and often uses voice-overs to give you a peek inside the characters' heads. It’s not afraid to get a bit weird, which is probably why it’s still talked about today. If you're looking for something that’s a bit different from your standard sitcom, and you don't mind a bit of surrealism mixed with your hospital drama, then Green Wing is definitely worth checking out. It’s a show that doesn't really play by the rules, and that’s precisely its charm. You can find some great discussions about UK comedy, including shows like this, on comedy podcasts.

The show's creators, Robert Greenspan and Victoria Pile, really pushed the boundaries of what a comedy set in a hospital could be. They managed to blend slapstick, character-driven humour, and a touch of the surreal in a way that felt fresh and exciting.

It’s a show that’s hard to pin down, but that’s part of its appeal. It’s funny, it’s strange, and it’s definitely memorable. If you're a fan of shows that aren't afraid to be a bit experimental, give Green Wing a go. You might just find yourself hooked on its unique brand of chaos.

10. Big Train

Right then, let's talk about Big Train. This was a BBC sketch show that ran for two series back in the late 90s and early 2000s. It featured a whole host of familiar faces, including Simon Pegg, Kevin Eldon, and Julia Davis, who would go on to do some pretty big things.

What made Big Train stand out was its slightly surreal and often dark sense of humour. It wasn't afraid to be a bit weird, which is probably why it's still remembered fondly by so many people. The sketches could be anything from a man trying to return a faulty ghost to a bizarrely intense job interview. It really pushed the boundaries of what a sketch show could be.

Some of the standout elements included:

• The sheer variety of characters and scenarios.

• The unexpected twists that often left you chuckling.

• The commitment to the absurdity of each premise.

It's a shame it only lasted 12 episodes, really. You can find clips and full episodes online if you fancy a watch, and it's a great example of British comedy at its most inventive. It's definitely worth checking out if you're a fan of shows like Brass Eye or anything a bit off-the-wall.

11. Jam

Right, let's talk about Jam. If you're a fan of comedy that's a bit, shall we say, out there, then this is one you absolutely have to check out. Created by Chris Morris, who also brought us Brass Eye, Jam is a sketch show that really pushes the boundaries. It originally aired in 2000 and only had six episodes, but it left a lasting impression.

What makes Jam so memorable is its sheer surrealism and often dark, unsettling humour. It's not afraid to go to places other shows wouldn't even consider. You'll find yourself watching a sketch and thinking, "Did that really just happen?" It’s the kind of show that sticks with you long after the credits roll. If you enjoyed the Dadaist comedy of shows like Brass Eye, then Jam is definitely in a similar vein.

Here are a few things that stand out:

• Unpredictable Scenarios: Just when you think you know where a sketch is going, it takes a sharp left turn into the bizarre.

• Distinct Visual Style: The show has a very specific look and feel, often using unsettling close-ups and stark lighting.

• Memorable Characters (even if brief): Despite the short run, some characters and situations are incredibly vivid.

It's a masterclass in creating atmosphere and unease through comedy.

Jam isn't for everyone, and that's part of its charm. It demands your attention and rewards it with something truly unique. It’s a good example of how sketch comedy can be experimental and thought-provoking, offering a different kind of laugh than you might be used to. If you're looking for something that breaks the mould, give Jam a watch.

12. Snuff Box

Right, so, Snuff Box. This one's a bit of a curveball because it's often labelled as a sitcom, but honestly, it’s got so many sketch elements that it absolutely deserves a spot on this list. Starring the brilliant Matt Berry and Rich Fulcher, the show ran for two short but incredibly memorable series. It’s got this wonderfully surreal, dark, and often quite absurd sense of humour that just hits differently.

One of the standout bits, and the reason it often gets mentioned in sketch show discussions, is the recurring "I Have a Boyfriend" sketch. It’s a perfect example of the show’s peculiar charm. You’ve got Matt Berry’s character, who’s always trying to chat up women, usually when they’re carrying something fragile. He’ll be all smooth, dropping compliments, and then, as soon as she casually mentions she’s got a boyfriend, disaster strikes – usually involving whatever fragile item she was holding. It’s simple, but the payoff is always hilarious.

Here’s a breakdown of what makes Snuff Box so special:

• Unique Tone: It blends sitcom structure with sketch-like vignettes, creating something quite unlike anything else on TV.

• Memorable Characters: Beyond the "I Have a Boyfriend" bit, the characters are all wonderfully odd and well-realised.

• Sharp Writing: The dialogue is witty, often dry, and packed with quotable lines.

The show really leans into its own brand of peculiar. It’s not afraid to be a bit weird, and that’s precisely why it works so well. It feels like a hidden gem that rewards viewers who appreciate something a bit off-kilter.

If you're looking for something that’s a bit more than your average sitcom and has that sketch comedy spirit, Snuff Box is definitely worth checking out. It’s a show that’s stayed with me, and I’ve seen a few comedians talking about it on podcasts, like on the "Off Menu" podcast for instance, which just goes to show its lasting appeal.

13. Peter Serafinowicz Show

Right, let's talk about The Peter Serafinowicz Show. This one popped up in 2007 and, honestly, it feels like it arrived a bit before its time. Peter Serafinowicz is just one of those talents who can do pretty much anything, and this show was a prime example of that. It was packed with sharp writing and some truly memorable characters.

One character that really sticks in the mind is Brian Butterfield. He's this sort of grotesque, over-the-top salesman type, and his diet plan sketches are just pure gold. You've got gems like "frilly meats" and "one cornflake, toasted, with low-fat spread." It’s the kind of absurd detail that makes you chuckle every time. He even managed to get his own spin-off and a live tour, which just shows how much people loved him.

Here are a few other bits that made the show stand out:

• The sheer variety of characters Serafinowicz embodied, from news anchors to oddball celebrities.

• The quick-fire sketches that often had a surreal or unexpected twist.

• Impressions that were spot-on, often poking fun at public figures with a clever edge.

The show had this knack for taking everyday situations or well-known tropes and twisting them into something completely bizarre. It wasn't afraid to be a bit silly, but there was always a cleverness underpinning it all. It's a shame it didn't get more of a run, but the bits that are still around are definitely worth seeking out.

It’s a shame it only lasted for one series, but the impact it had, especially through characters like Brian Butterfield, is undeniable. It’s a show that still holds up really well.

14. Katy Brand’s Big Ass Show

Katy Brand’s Big Ass Show, which aired in the late 2000s, was a bit of a hidden gem. It packed in a load of different ideas and impressions, and honestly, it feels like the kind of sketch show that would thrive today on platforms like TikTok. Brand herself is a sharp performer, and the show really let her shine with a variety of characters and scenarios.

One of the standout sketches, and one that’s often mentioned, is the impression of Jennifer Aniston. It perfectly captured that slightly manic, overly cheerful vibe that Aniston sometimes projected, especially during that period of her life. The sketch played on the idea of her insisting she was “fine” when it was clear she wasn’t, a clever nod to the celebrity gossip of the time. It’s a great example of how the show could take a recognisable public figure and twist them into something hilariously specific.

Here’s a look at some of the show's strengths:

• Impressions: Brand had a knack for impersonations, hitting the key mannerisms and vocal tics of her subjects.

• Topicality: The show wasn't afraid to poke fun at current events and celebrity culture, giving it a fresh feel.

• Variety: From quick-fire gags to more developed character pieces, there was a good mix of sketch styles.

The show managed to feel both current and a little bit timeless, with sketches that felt like they could have been made yesterday. It’s a shame it didn’t get more attention at the time, but its influence can be seen in how sketch comedy has evolved.

While it might not have had the same massive following as some other shows from that era, Katy Brand’s Big Ass Show offered a really solid dose of intelligent and funny sketch comedy. It’s definitely worth revisiting if you missed it the first time around, or even if you just want a good laugh. You can find some clips online, and it’s a good reminder of the talent that was on display. It’s a shame more of this kind of sharp, character-driven comedy isn't more common these days, but there are still places to find great stand-up, like comedy events in Camden.

The show was a showcase for Katy Brand's considerable talent for character work and sharp observational humour. It’s a shame it only ran for a couple of series, but the sketches that remain are still very funny.

15. Sorry I’ve Got No Head

Right, so, Sorry I’ve Got No Head. This one was a bit of a gem, wasn't it? It ran for a few years on BBC Three and then CBBC, and it was just packed with these really sharp, often quite silly sketches. It wasn't afraid to be a bit weird, which I always appreciate in comedy. The cast was brilliant, too – you had people like Nick Mohammed, who’s gone on to do loads of great stuff, and James Bachman and Marcus Brigstocke doing these fantastic characters.

One of the standout bits for me, and I think for a lot of people, was the recurring sketch featuring Jasmine and Prudith. These two ladies, played by Brigstocke and Bachman, would always be enquiring about the price of something, and they’d invariably hear the perfectly reasonable cost as “a thousand pounds”. It was the sheer, unadulterated idiocy of it that made it so funny. Nick Mohammed often played the poor sod caught in the middle of their nonsensical conversations. It’s the kind of simple, daft humour that just sticks with you.

The show had a knack for taking a simple premise and running with it, often to absurd conclusions. It felt very British in its sensibility, a bit dry, a bit unexpected.

There were other memorable bits too. You had sketches that felt like they could have been ripped from a bizarre documentary, or characters that were just so perfectly drawn, even if they only appeared for a minute or two. It’s the sort of show that you might have missed the first time around, but it’s definitely worth seeking out if you’re a fan of proper sketch comedy. It’s a shame shows like this don't get more attention these days, though there's always hope for new comedy coming out of places like Northern Ireland.

Here are a few things that made it stand out:

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16. Mr. Bean

Mr. Bean might not say much, but he’s managed to get millions of people laughing for decades. The character, brought to life by Rowan Atkinson, is a masterclass in physical comedy, drawing on influences from silent film stars and slapstick legends. You don’t need words to get what’s going on: Mr. Bean’s bizarre antics—like struggling with everyday tasks or causing mayhem in boring, everyday places—are easy for anyone to understand, which helps explain why he’s as popular in other countries as he is in Britain.

What sets Mr. Bean apart is his almost childlike approach to life, making each episode feel a bit like watching a grown man let loose in a world that doesn’t quite make sense. Whether he’s turning a trip to the laundrette into chaos or inventing new ways to eat a sandwich in a park, Mr. Bean finds comic gold in the ordinary.

Here are a few traits that made Mr. Bean so iconic:

• Minimal dialogue, relying on expressive physical humour

• Scenarios everyone can relate to, given a very unexpected twist

• A memorable face and body language that says more than words ever could

Sometimes the best moments are the simplest, and Mr. Bean’s adventures prove comedy can be universal. You’ll find yourself giggling at things you didn’t even realise were funny.

Mr. Bean’s impact goes beyond TV: Atkinson’s performance often pops up in lists of the UK’s favourite comedians, showing just how big this little character really is.

17. Absolutely Fabulous

Right then, let's talk about Absolutely Fabulous. This show, created by and starring Jennifer Saunders and Dawn French, is just pure, unadulterated chaos. It follows Edina Monsoon, a PR guru who's desperately trying to cling onto her youth and relevance, and her best mate Patsy Stone, a magazine editor who's even further gone. Their lives are a whirlwind of fashion, booze, drugs, and general mayhem, much to the despair of Edina's sensible daughter, Saffron.

The dynamic between these three women is the absolute heart of the show. Edina and Patsy are like overgrown teenagers, completely self-absorbed and oblivious to the consequences of their actions, while Saffy is the long-suffering voice of reason, constantly trying to clean up their messes. It’s a brilliant, if slightly terrifying, look at a certain kind of woman in London.

What makes it so good, I think, is how it skewers the fashion and celebrity world. It’s not afraid to be a bit nasty, a bit judgemental, and incredibly funny about it all. The characters are so over-the-top, you can't help but laugh, even when they're being truly awful.

Here are a few things that really stand out:

• Edina's relentless pursuit of trends: Whether it's New Age fads or the latest designer gear, Eddy will try anything to stay 'hip'.

• Patsy's sheer, unrepentant hedonism: She's the ultimate bad influence, always ready with a cigarette and a cutting remark.

• Saffy's exasperated sighs: Honestly, you feel for her. She's the only one with any sense, and it's exhausting.

The show really captures a specific kind of London life, the kind where image is everything and reality is often best ignored. It’s a sharp satire that doesn’t pull its punches, and that’s why it’s lasted so long.

It’s the kind of show that makes you cringe and laugh all at once. If you're looking for something that's both incredibly funny and a bit of a social commentary, then you really can't go wrong with Absolutely Fabulous. It’s a classic for a reason.

18. The Fast Show

Right then, let's talk about The Fast Show. This was one of those programmes that just seemed to pop up everywhere, didn't it? It ran for a few series in the mid-to-late 90s and then popped up again for specials. It was brilliant at taking a tiny, mundane observation and stretching it out into something utterly ridiculous. You had all these characters, like Dave Nice, who was just… well, nice. Or Ted, the bloke who was always complaining about something. And who could forget the 'suits' – Bob and Charlie – who were just trying to get through the day without anyone noticing them.

What made it work so well was its pace. It was quick, sharp, and didn't hang about. You'd get a character, a catchphrase, and then bam, onto the next one. It felt very modern for its time, and honestly, a lot of those characters still feel pretty relevant today. It’s a shame it didn’t have a longer run, but then again, maybe that’s part of its charm. It left you wanting more.

Here are a few of the standouts:

• Ted: The perpetually grumpy bloke who found fault with everything. His catchphrase, "This is a bit of an arse, isn't it?" was perfect.

• Dave Nice: The embodiment of blandness, but somehow endearing.

• The Suits (Bob and Charlie): Their attempts to blend in and avoid attention were comedy gold.

• Paul Whitehouse's characters: He was a master of creating these instantly recognisable, slightly pathetic individuals.

The show really captured a certain slice of British life, the sort of everyday annoyances and eccentricities that we all recognise, even if we don't always admit it. It was observational comedy at its finest, but with a really surreal twist that made it stand out.

It’s definitely worth a rewatch if you’re looking for some classic British humour. You can find clips and full episodes scattered around online, and it’s a great reminder of a time when sketch comedy felt really fresh and exciting. It’s a show that really cemented the careers of many of its stars, and you can see why. It was just pure, unadulterated fun, and that's something you can always appreciate. If you're interested in the evolution of British comedy, it's a must-see, and you can find out more about recent comedy developments in Northern Ireland which show that the spirit of innovation is still alive and well.

19. Horne & Corden

Before James Corden became a household name with Gavin & Stacey and his US chat show, he teamed up with Matthew Horne for their own sketch series, Horne & Corden. It only ran for one series, sadly, and didn't exactly set the world alight with its ratings or reviews. It’s a bit of a shame, really, because there were glimpses of the comedic talent that would later shine so brightly.

One sketch that really stands out, even now, is the 'Champion Divers'. It’s a classic example of building momentum towards a simple, physical gag. You've got these two divers, all set for Olympic glory, and you just know something daft is about to happen. It’s that kind of predictable-yet-hilarious setup that works so well.

Here's a look at what made the show a bit of a mixed bag:

• The premise: A sketch show featuring the duo, aiming for laughs through observational humour and character work.

• The standout sketch: 'Champion Divers' provided a moment of pure, unadulterated silliness.

• The legacy: While the show itself wasn't a massive hit, it was an early platform for two comedians who would go on to achieve significant success.

It’s easy to look back and see where things could have been different, but Horne & Corden did offer a few memorable moments. It’s a good reminder that even shows that don't quite hit the mark can still have something to offer, and it's always interesting to see the early work of comedians who later become huge stars. You can sometimes catch clips of their work online, offering a peek into a different era of British comedy.

The show's short run meant it never quite found its footing, but the 'Champion Divers' sketch, in particular, showed the potential for physical comedy that both Horne and Corden possessed. It’s a sketch that’s often brought up when discussing their earlier work, proving that even a less successful series can leave a lasting impression.

20. Little Miss Jocelyn

Jocelyn Jee Esien’s sketch show, Little Miss Jocelyn, was a breath of fresh air when it first aired. Running for two series between 2006 and 2008, it gave us some truly memorable characters and situations. It’s the kind of show that, looking back, feels like it was ahead of its time, with a sharp wit and a willingness to be a bit weird.

One of the standout elements was Esien’s knack for impressions, particularly her take on Jennifer Aniston. It perfectly captured that slightly strained, all-American vibe, especially during the period when the Friends cast were all trying to forge new paths. It’s a sketch that’s both funny and a bit insightful, showing how public personas can be both created and perceived.

The show wasn't afraid to get a bit surreal, blending everyday scenarios with unexpected twists. This unpredictability is what made it so engaging and kept you guessing what would happen next.

Little Miss Jocelyn offered a diverse range of sketches, but a few really stick in the mind:

• The Job Interview: This sketch had a wonderfully odd, almost retro feel. A woman attends a job interview, and just as you think you know where it’s going, it takes a sharp, unexpected turn. It’s a great example of the show’s ability to subvert expectations.

• Jiffy the Traffic Warden: A character who’d pop up in all sorts of places, issuing tickets for things that had absolutely nothing to do with traffic. It was a simple concept, but executed brilliantly, highlighting the absurdity of petty bureaucracy.

• Impressions: Beyond Jennifer Aniston, Esien showcased a range of other characters, demonstrating her versatility and comedic timing.

It’s a shame the show only ran for two series, as there was clearly a lot more comedic mileage left in it. If you’re looking for some sharp, character-driven sketch comedy from the mid-2000s, Little Miss Jocelyn is definitely worth seeking out. You can find more about Jocelyn Jee Esien's work on her comedy show.

21. Bo’ Selecta

Right, Bo’ Selecta. This one’s a bit of a marmite show, isn’t it? You either loved it or you absolutely couldn't stand it. Leigh Francis, or Keith Lemon as he’s more known now, really went for it with this one. It was basically a series of sketches where he’d dress up as famous people, often with really dodgy masks, and just do impressions. Think of it as a really, really low-budget, slightly unhinged version of Spitting Image, but with a lot more shouting and a lot less political commentary.

It first popped up on Channel 4 back in 2002, and it ran for a good few years. The whole premise was that it was a TV show being broadcast from a dodgy pirate radio station, hence the name 'Bo' Selecta'. It was all very surreal and, honestly, a bit chaotic. You had characters like Craig David, who was apparently a massive fan of the show, and then there were all these random celebrity impressions. It was definitely a product of its time, that's for sure. Some of the humour hasn't aged brilliantly, but you can't deny it was memorable.

Some of the standout bits, if you can call them that, included:

• Celebrity impressions with questionable masks.

• Random musical interludes and parodies.

• A general sense of anarchic, unpredictable silliness.

It was the kind of show that you’d either be glued to, or you’d be flicking over because it was just too much. It’s interesting to look back at shows like this and see how comedy has changed. It’s a real throwback to the early 2000s, and if you’re into that kind of thing, you might find it amusing. It’s a bit like trying to find old garage music, you know, that 90s vibe.

The whole thing felt like it was made on a shoestring budget, with Leigh Francis just having a laugh and seeing what stuck. It wasn't polished, it wasn't subtle, but it was definitely unique. You either got it, or you didn't.

It’s a show that definitely divided opinion, but it’s a significant part of early 2000s British comedy. It’s not for everyone, but for those who enjoyed its particular brand of madness, it was brilliant. It’s a bit like that Irish matriarch interfering in everyone’s lives – you either find it funny or you don’t.

22. People Just Do Nothing

Right, let's talk about People Just Do Nothing. This show, for anyone who missed it, is basically a mockumentary following the lives of a pirate radio station crew in West London. Think cheap tracksuits, questionable life choices, and a whole lot of ambition that never quite lands.

The whole premise revolves around DJ 'Kurupt FM' and his mates trying to make it big in the grime and garage scene, but mostly just messing about. It’s that kind of cringe humour that feels so real you almost want to look away, but you just can't. The characters are brilliantly drawn, from the deluded leader Grindah to the perpetually confused Steves. You get a real sense of their world, even if it's a world you'd probably avoid in real life.

Here's a bit of what makes it tick:

• The characters: Each one is a masterpiece of flawed humanity. You've got Grindah, convinced he's a visionary; Beats, the long-suffering producer; Decoy, who's just sort of there; Chabuddy G, the sleazy entrepreneur; and Steves, bless him, who's just trying to keep up.

• The setting: The grubby flats, the dodgy car meets, the local pub – it all feels incredibly authentic to a certain slice of British life.

• The music: While it's a comedy, the garage and grime soundtrack is actually pretty decent and integral to the show's vibe.

The beauty of People Just Do Nothing is how it captures that specific kind of aspiration that’s just slightly out of reach. It’s not about people being stupid, exactly, but more about them being stuck in a loop of their own making, convinced that tomorrow is the day everything changes. It’s a very British kind of optimism, I suppose, mixed with a healthy dose of delusion.

It’s the kind of show that sneaks up on you. You start watching it for a laugh at these characters, but you end up kind of rooting for them, even when they’re at their most ridiculous. It’s a proper gem.

23. Toast Of London

Right then, let's talk about Toast of London. This show is an absolute gem, following the life of Steven Toast, a washed-up, eccentric actor who's constantly getting himself into the most bizarre situations. Matt Berry’s portrayal of Toast is just magnificent; he’s got this booming voice and a flair for the dramatic that’s both hilarious and slightly tragic.

The series really leans into the absurdity of the acting world, with Toast often finding himself entangled with dodgy agents, rival actors, and his own questionable life choices. It’s the kind of comedy that’s so specific, you can’t help but get drawn into its weird little universe.

Here are a few things that make Toast of London stand out:

• The supporting cast: From his long-suffering agent Jane Ploughman to his nemesis, the equally theatrical actor Ray Purchase, the characters are brilliantly written and performed.

• The dialogue: It’s sharp, witty, and often incredibly quotable. Berry’s delivery is key here, making even the most mundane lines sound like profound pronouncements.

• The sheer surrealism: You never quite know what’s going to happen next. One minute Toast is trying to land a role in a low-budget horror film, the next he’s involved in a bizarre love triangle.

The show has a unique rhythm to it, a sort of theatrical flair that sets it apart from other comedies. It feels like a play and a sketch show all rolled into one, with Toast as the bewildered ringmaster of his own chaotic life.

If you're looking for something a bit different, something that doesn't shy away from the bizarre, then Toast of London is definitely worth a watch. You can find it streaming on services like Britbox if you fancy a good laugh.

24. The IT Crowd

Right, let's talk about The IT Crowd. This show, created by Graham Linehan, first popped up on Channel 4 back in 2006 and quickly became a bit of a cult favourite. It’s set in the basement of Reynholm Industries, a swanky London company, where the IT department is basically a forgotten corner filled with geeks who are worlds away from the shiny offices upstairs.

The core of the comedy comes from the stark contrast between the technologically inept but socially awkward IT team and the clueless management. We've got Roy Trenneman, Maurice Moss, and later, Douglas Reynholm's daughter, Jen Barber, trying to make sense of both computers and office politics. It’s a classic setup, but Linehan’s writing gives it a unique flavour.

Here’s a quick rundown of what makes it tick:

• The Characters: Roy (Chris O'Dowd) is the cynical, lazy one. Moss (Richard Ayoade) is the socially awkward genius. Jen (Katherine Parkinson) is the one who pretends to know what she's doing but actually doesn't. And then there's Douglas Reynholm (Matt Berry), the eccentric CEO.

• The Setting: The dingy, cluttered basement office is a character in itself, a perfect symbol for the overlooked nature of the IT department.

• The Humour: It’s a mix of observational comedy about office life, absurd situations, and some genuinely clever wordplay. Plus, the sheer awkwardness of the characters often leads to hilarious moments.

It’s the kind of show that, even years later, you can still find yourself chuckling at the reruns. If you're looking for a bit of light-hearted, geeky humour, you can't go far wrong with The IT Crowd. It’s a solid choice for anyone who’s ever worked in an office or just enjoys a good laugh at the expense of social ineptitude.

The show really leans into the idea that the people who fix our technology are often the most out of touch with the rest of the world, and vice versa. It’s a funny, if slightly exaggerated, look at a common workplace dynamic.

It’s a shame it only ran for four series, but what we got was pretty special. Definitely worth a watch if you missed it the first time around.

25. The Office

Right, let's talk about The Office. This is the one that really kicked off the whole mockumentary thing for a lot of us, wasn't it? First airing back in 2001, it gave us a painfully accurate, yet hilariously awkward, look inside the Slough branch of Wernham Hogg paper company. David Brent, played by Ricky Gervais, is a manager who genuinely believes he's the funniest, most inspiring boss around, but in reality, he's just… well, a bit of a disaster. The show's genius lies in its ability to make you cringe so hard you almost have to look away, but you just can't. It’s all about those everyday office interactions, the forced team-building exercises, and the sheer desperation for something interesting to happen.

It really captured that feeling of being stuck in a job, dealing with colleagues you might not always get along with, and the general monotony of office life. The humour is so dry, so British, and it’s something that’s been imitated countless times since, but never quite replicated.

Here are a few things that made it stand out:

• The painfully realistic portrayal of middle management.

• The supporting characters, like Gareth and Tim, who felt like real people.

• The way it used silence and awkward pauses to build comedy.

It’s a show that’s been watched and rewatched, and honestly, it holds up. If you somehow missed it the first time around, it’s definitely worth a watch to see where so much modern comedy got its start. It’s a masterclass in observational humour and character-driven comedy, showing that sometimes the funniest things are the most mundane. You can find out more about the show's impact on British television.

The show’s success wasn't just about the laughs; it was about the uncomfortable truths it revealed about workplace dynamics and human nature. It showed us that sometimes, the most awkward moments are the most memorable.

It’s a classic for a reason, and it’s a show that really defined a particular era of British comedy. The way it documented the everyday lives of these characters, making the mundane feel extraordinary, is pretty special. It’s a show that makes you think about your own office experiences, for better or worse. It’s a brilliant piece of workplace comedy.

Fancy a good laugh? Section 25, "The Office," is all about finding humour in everyday work life. We explore the funny side of office antics and relatable workplace situations. Want to see more hilarious comedy acts? Visit our website to book your tickets for a night of non-stop laughter!

So, What Are You Waiting For?

Right then, that's our little tour of some of the best sketch comedy the UK has to offer. It's a genre that's seen its ups and downs, hasn't it? Some shows feel like they belong to a different era, and maybe you had to be there to truly get them. But even with fewer pure sketch shows around these days, the ones that do pop up, or even older ones you revisit, can still be absolute gold. Whether you're into sharp satire, silly characters, or just a good old laugh at everyday life, there's something here for everyone. So, grab a cuppa, settle in, and give some of these a watch. You might just find your new favourite.

Frequently Asked Questions

What makes British comedy so special?

British humour often involves making fun of everyday life, using sarcasm, and not taking ourselves too seriously. It's a bit like laughing at yourself and your own little quirks. This down-to-earth approach is what makes shows from the UK so popular and relatable.

Are sketch shows still popular in the UK?

While sitcoms and other types of comedy have become more common, sketch shows still hold a special place. Even when they're not on mainstream TV as much, they often pop up on children's channels or online, proving that funny, short sketches are always a hit.

Which sketch shows are good for understanding British culture?

Shows like 'The Office' or 'Absolutely Fabulous' offer a peek into British life, manners, and even our insecurities. They often poke fun at social situations and characters you might recognise, giving you a good laugh and a bit of insight into how people in the UK tick.

Why are some older sketch shows hard to understand now?

Sometimes, comedy is very much 'of its time.' Jokes or references that were hilarious back then might not make sense years later because the world has changed. Shows like 'Little Britain' or 'Bo' Selecta' are often described as 'you had to be there' because their humour was so tied to that specific moment.

What's the difference between a sketch show and a sitcom?

A sketch show is usually made up of lots of short, separate funny scenes or 'sketches,' often with different characters each time. A sitcom (situation comedy) usually follows the same group of characters in their everyday lives over a whole series.

Where can I watch these classic UK comedy shows?

Many of these shows can be found on streaming services like Netflix, Amazon Prime Video, or BritBox. Some might also be available to buy on DVD or watch on catch-up services from UK broadcasters like the BBC or Channel 4, depending on where you are.