What to Expect from the New Stand-Up Comedy Scene in 2025
- comedyinyoureye
- Oct 8
- 15 min read
The new stand-up comedy scene in 2025 is nothing like it used to be. These days, you can walk into a club in almost any Canadian city and find someone on stage talking about their family, switching languages mid-set, or riffing with the crowd about something that happened that morning. It’s not just the big names anymore, either. Loads of new comics are showing up, each with their own style, background, and stories. Social media and podcasts are helping these performers get noticed way beyond their local clubs, and festivals are packed with fresh faces. If you’re curious about what’s changing, here’s what you need to know about the new stand-up comedy wave.
Key Takeaways
Comedians from all sorts of backgrounds are now leading the new stand-up comedy scene, making shows more interesting and real.
Personal stories and everyday mishaps are a big part of stand-up sets, with comics often poking fun at their own lives and families.
Cities like Toronto, Vancouver, and Montreal are full of packed clubs and experimental gigs, but smaller towns are starting to get attention too.
Social media, podcasts, and online groups are giving comedians new ways to reach fans and test out material.
Comedy festivals are helping launch new careers, with up-and-coming comics winning awards and getting noticed at home and abroad.
Diversity and Multicultural Voices Leading the Charge
The stand-up comedy landscape is completely different in 2025. You walk into any club, and the old sameness is gone. Now, line-ups are rich with comics from so many backgrounds—South Asian, Black Canadian, Middle Eastern, East Asian, and more. It's not just about ticking a box; these voices are reshaping what gets people laughing. From newcomers to headline acts, the Canadian scene stands out for inclusion, and audiences are way more engaged because of it. If you check out info on the surge of multicultural, LGBTQ+, and female comics, it's clear that this shift has real momentum.
Multilingual Comedy and Language Play
Comedians now don't shy away from switching languages mid-set or playing with accents and dialects. Here's what you'll spot on stage:
Jokes that jump from French to English and back
References that mix Canadian traditions with stories from "back home
Little moments where a punchline lands better in Punjabi, Arabic, Mandarin, or Creole, and the room just gets it
This multilingual approach doesn’t just break barriers. It also lets comics poke fun at their own misunderstandings, the jumble of growing up between cultures, and the sometimes weird parts of fitting in here. That mix is part of why these acts are getting talked about long after the show's over.
Highlighting Cultural Backgrounds in Sets
Comics are finally able to own their roots on stage, and audiences love it. It's routine now to hear about:
What family life was really like in the home countries
The confusion over things like Thanksgiving, or why certain food is "normal" at home but weird to classmates
Struggles and wins of blending two (or more) cultures
Here's a table showing just how popular some of these themes are on current line-ups:
Theme | Share of New Comedy Sets (2025) |
|---|---|
Family Stories | 68% |
Cultural Background | 54% |
Overcoming Hardships | 49% |
Identity/Belonging | 37% |
A lot of folks are seeking something real when they head to a show now. The personal details and cultural quirks aren’t just padding—they’re the stories people remember.
Breaking Stereotypes and Finding New Audiences
Old stereotypes are getting turned upside down, sometimes gently, sometimes with a sledgehammer. Comics from LGBTQ+ communities step into the spotlight, cracking jokes about coming out, awkward first dates, and family reactions—subjects that, not long ago, barely made it on stage. Women comics have moved from filling quotas to topping the bill, winning awards, and running their own rooms.
If you want to know what’s really changed:
Festival spots now go to openly queer and trans comics—not as a novelty, but as must-see acts
First-generation and immigrant stories aren’t the exception, they’re the heart of the show
The crowd isn’t all the same anymore—people come out for comics who reflect their lives and voices
It's a scene that truly feels like anyone can get up and make people laugh, no matter where they started or which language they learned at home.
Storytelling at the Heart of the New Stand-Up Comedy
Stand-up comedy in 2025 is moving further into storytelling than ever before. Comedians aren’t just chasing punchlines—they’re bringing their real lives, messy moments and all, straight to the stage. Audiences turn up because they want to see something genuine, not just a set of recycled one-liners. They want that feeling you get when a comic admits to something odd or difficult and everyone realises, "Yeah, me too."
Personal Stories and Honest Performances
Real, unfiltered stories are front and centre. Comics aren't afraid to look silly or flawed. That honesty connects—a lot of us recognise our own mishaps in what they share. Some favourite approaches you’ll see this year:
Telling tales that are oddly specific yet somehow universal
Giving glimpses into the awkward or weird moments of life
Calling out their own mistakes, not just others’
The audience gets a sense of the comic as a person, not just a performer.
There’s comfort when someone shares a moment that’s gone off the rails—they’re up there laughing about it, so maybe the rest of us can, too.
Transforming Trauma into Laughter
This isn’t a trend for shock’s sake. Instead, comics are owning their struggles, whether it’s health scares, heartbreak, loss or addiction. The stage is one of the only places where these things somehow get lighter. Patterns you’ll spot:
Stories from hardship, told with a twist that lands a laugh
Finding comedy in places most would rather ignore
Being blunt and skipping the sugar-coating—no pretending things were easier than they were
It’s brave, but it gives the crowd space to breathe and, for a moment, laugh at the tough stuff.
Family Life and Everyday Mishaps on Stage
Everyone’s got a family story, and comedians in 2025 are turning theirs into comedy gold—without smoothing over the chaos. They don’t shy away from how odd or irritating family life can be. Expect material like:
Childhood stories featuring strange parents, siblings, or customs
Navigating the gap between generations (and often cultures)
Parenting fails—from both new mums and dads, or grown-up kids
Here’s a snapshot of current storytelling themes used by top comics in 2025:
Theme | Percentage of Sets Using It |
|---|---|
Family Stories | 68% |
Cultural Background | 54% |
Overcoming Hardships | 49% |
Identity & Belonging | 37% |
Family, hardship, and identity aren’t buzzwords—they’re just what’s real, and that’s what keeps people coming back. When a comedian lands a punchline right after a tough confession, you can almost feel the room let out a breath it’s been holding.
Major City Hotspots Transforming the Comedy Scene
Comedy in 2025 is not just glued to smoky clubs or old basement stages. A wave of fresh energy has swept across Canada’s biggest cities, bringing live stand-up nights into neighbourhood corners, grungy DIY spaces, and packed sells-out clubs that never used to host comedy. Each city’s got its own quirks, and crowds come hungry for laughs that feel raw and honest.
Toronto’s Urban Clubs and Fresh Talent
Toronto has always been the country’s comedy launchpad, but things feel a little different now. You walk into an open mic on a Wednesday and spot future headliners testing out their wildest bits beside total newcomers, often to a mixed crowd of die-hard fans and curious friends.
Toronto hosts dozens of stand-up venues, from historic clubs to new pop-up shows in coffee shops and warehouses.
Comics with roots in everything from global satire to biting local humour are popping up—someone’s always experimenting with a punchline in more than one language.
Many comedians are trying their luck between Toronto and bigger scenes like New York, making the city a bridge for rising stars.
The sense in the room isn’t cutthroat. Toronto’s comics care most about sharpening their material; fame doesn’t seem to be the first thing on their minds—a rare thing these days.
Vancouver’s Offbeat and Experimental Gigs
Vancouver’s comedy is playful and impulsive, leaning into late-night energy and off-the-cuff sets. Young comics bring podcasts to life on stage, and audiences skew younger, vibing with any show that feels new.
Regular shows mix traditional stand-up and improv, making each night unpredictable.
Audiences here love weird, open-ended material and aren’t afraid to give feedback—good or bad—right to your face.
Pop-up events appear in places like art studios and even outdoor parks when the weather’s right.
Some venues are going all-in on experimental nights that combine visual art or live music with comedy, which helps draw in crowds that might otherwise skip stand-up.
Montreal’s Bilingual Comedy Boom
Montreal’s stand-up landscape is a crazy blend of English, French, and everything in between. Bilingual comics are thriving, zig-zagging between languages mid-set and making everyone in the room feel like they’re in on the joke.
Type of Show | Language(s) | Crowd Demographic |
|---|---|---|
Weeknight open mic | English | University, locals |
Festival headliner | Bilingual | Mixed ages, tourists |
Local showcase | French | Francophones, families |
Clubs regularly host bilingual nights, and some comics switch between languages, spinning the same story in different ways.
Smaller events now rival big festivals for buzz, with promising acts using these spaces as a test ground.
Emergent Acts from Smaller Canadian Towns
Big cities take up most of the spotlight, but plenty of newcomers are adding grit and originality from places you don’t expect—Saskatoon, Prince Edward Island, even Yellowknife.
Some reasons smaller-town comedians catch fire:
They bring unique stories about rural life or culture clash.
There’s a raw, unfiltered style to their observations; you get bits you won’t hear from city comics.
Touring builds up their stamina and fast-thinking, making them well-rounded performers.
These acts are now first picks at major festivals and bigger city venues. The Canadian comedy map in 2025 is wide open—if you’re chasing original laughs, keep your eyes on up-and-comers from outside the usual hotspots.
Digital Growth Redefining Stand-Up Careers
With platforms like TikTok and Instagram exploding in popularity, comedians don’t have to wait around for old-school industry gatekeepers anymore. It’s easier than ever for a sharp one-liner or awkward crowd-work moment to blow up and grab the attention of thousands or even millions. Instagram in particular is now where comedians drive most of their ticket sales and build hype before a show—from short joke videos to behind-the-scenes bits that let fans feel like they’re in on the joke before anyone else (Instagram has emerged as the leading platform).
Comedians post crowd work clips and raw, unpolished sets
Fans follow along for day-in-the-life stories and messy backstage moments
Responding to news or trends can turn any comic into a viral hit overnight
Podcasts Boosting Comedians’ Reach
Podcasts have become another key piece of the picture. Comics use them for long-form riffing and sharing real stories that just wouldn’t fit in a five-minute club set. A funny story or heated debate on a podcast often finds a second life as a viral video snippet, and it’s amazing how often a podcast brings fresh ears to a comic’s stand-up shows. The relaxed format means comedians don’t have to be “on” all the time, which honestly leads to some of their most honest and surprising work.
In 2025, a bunch of comedians say their most loyal fans found them through podcasts first—not live stages.
Online Communities Propelling New Talents
The internet is the new proving ground for Canada’s stand-ups. It’s not limited to big-name cities anymore. Subreddits, Facebook groups, Discord servers—these places are buzzing with recommendations, fresh videos, and raw feedback. Fans do some of the work, too: they clip jokes, argue about new acts, and spread the word way faster than any newspaper ever could. Here’s what’s typical now:
Fans share standout moments from live and online gigs
Comedians support and cross-promote each other’s content
Direct feedback lets comics test risky new material, knowing there’s a built-in audience ready to weigh in
Table: Popular Canadian Online Comedy Platform Breakdown (2025)
Content Type | Typical Duration | Main Audience |
|---|---|---|
Instagram Reels | 30s – 3 mins | Teens to 30s |
TikTok | 15s – 2 mins | Teens to 20s |
YouTube videos | 5 – 15 mins | 18 – 40 |
Podcasts | 30 – 90 mins | 20 – 45 |
Social media was once just a tool for promotion—it’s now the stage itself. Comics are cutting out the middleman, building their own crowds, and shaping the future of Canadian stand-up from just about anywhere with an internet connection.
Creative Experimentation and Boundary-Pushing Styles
If you're catching a comedy show this year, don’t expect a standard mic stand and a series of safe, memorised jokes. The stand-up comedy scene in 2025 is buzzing with energy, and that’s because comics are ditching the usual formula and getting a lot weirder (in a good way). Crowds want something raw, challenging, and a bit unpredictable—so that's exactly what they're getting.
Improvisation and Interactive Shows
More and more comics are swapping safe, rehearsed sets for the wild ride of crowd work and improv. This kind of livewire performance means the audience gets pulled into the act, often becoming the punchline or even part of the joke. Comics thrive on the unexpected, trying out:
Playful back-and-forths with people in the crowd
Riffing on what’s happening right there and then
Building entire bits from an audience's random comment
This approach doesn't always hit, but when it does, it's electric. That pressure keeps comedians sharp and audiences glued, never quite sure what’s coming next. For comparison, here’s what the reaction usually looks like:
Style or Format | Typical Audience Reaction | Places You Can See It |
|---|---|---|
Crowd Work / Improv | Wide-eyed, rowdy laughs | Open mics, lively pubs |
Non-Traditional Shows | Laidback, buzzy crowds | Cafés, art galleries |
Audio-Visual Bits | Surprise and delight | Festivals, indie venues |
If you’re interested in how comedians reach new crowds with unexpected moments, check out how social media changes live comedy.
Blending Music, Art, and Comedy
Nobody is sticking to just jokes anymore. Young comics are throwing in guitars, synths, oddball sound effects, or live visuals to spice up their sets. Sometimes, it turns into a sort of mini-concert, other times the visuals help land the punchline. It makes for:
Memorable shows you can’t quite describe to your mates after
Audiences who stay open to surprises
Comics standing out in a jam-packed field
Guitar numbers one minute, digital painting the next—it’s fair game. Even fans who wouldn’t usually hit a comedy night get drawn in by these cross-genre mashups.
Sometimes you leave a gig not sure if you’ve just watched stand-up, performance art, or something that hasn’t got a name yet. But it’s the kind of weird you want to see again.
Risk-Taking with Non-Traditional Formats
Comedians are no longer waiting for their shot at packed urban clubs. Some of the sharpest material now gets tested in basements, back rooms, and even laundromats. Strange setups can free up comics to try:
Ultra-personal or controversial topics that hit differently in a smaller crowd
Shows that blend in readings, music, or group exercises
Experimental sketches that would never make it to TV or Netflix
This kind of experimentation means that, for fans, no two nights look or sound the same. It’s tricky, but the payoff is big—a new generation of comics gets the freedom to find their voice, and sometimes, completely change what a comedy night even means.
Recognition and Purpose at Canadian Comedy Festivals
Comedy festivals in Canada have become more than just gigs—they’re now seen as community hubs, proving grounds, and launchpads for up-and-coming acts. A festival isn’t just about landing laughs anymore; it’s often where a comedian’s career takes a sharp turn upwards. If you’re chasing big crowds, networking with industry folks, or just looking for honest feedback from a wild audience, these festivals are where it happens.
Spotlight Moments at Just For Laughs
Just For Laughs continues to be the holy grail for Canadian comics. Montreal’s main event is packed year after year, but newer offshoots—like the Vancouver edition—are also turning heads. In 2025, it’s clear: new voices have the main stage, not just household names. Here’s a quick table showing recent festival standouts:
Performer | City | Festival | 2025 Recognition |
|---|---|---|---|
Mayce Galoni | Toronto | Just For Laughs | New Faces Showcase |
Amber Harper-Young | Vancouver | JFL NWT | Audience Favourite |
Charles Haycock | Edmonton | Just For Laughs | Critic’s Choice |
Ronald Hae | Mississauga | Just For Laughs | Rising Star Nominee |
Even a few high-energy minutes on a JFL showcase can put you on track for TV, podcasts, or even an international tour. Honestly, getting a laugh from a massive festival crowd feels like getting a superpower for young comics.
Winning Awards and Launching Careers
Awards at these festivals aren’t just a shiny trophy for your shelf—they can mean big things:
Cash prizes can help comics pay rent (or at least buy better snacks for the green room).
Mentoring from senior comedians often leads to creative partnerships down the road.
Invitations to perform in the UK or Europe come quickly after a festival win, opening up even more international gigs.
A lot of new acts now build their following through digital buzz after their win—something that’s been driven by a fast-changing stand-up scene in 2025.
Expanding to International Festival Circuits
For many young comics, cracking the Canadian festival scene is just the first step. Invitations to the Edinburgh Fringe or the Melbourne International Comedy Festival are suddenly possible. This kind of jump is common now, because Canadian festivals are watched by scouts and comedy agents from abroad. You’ll see:
Surge in social media followers after international appearances
Partnerships with comics and podcast hosts from other countries
Repeat bookings in global cities after success in Canada
The first time a comic gets applause outside Canada, it’s a massive reality check—one moment you’re sweating backstage, the next you’re in a new city with fresh fans and wild opportunities.
Canadian comedy festivals in 2025 balance community and ambition. They’re places to make people laugh, but also to chase purpose, recognition, and a career that stretches way beyond home.
Up-and-Coming Comedians Shaping the 2025 Landscape
In 2025, it's not just the big names filling seats—new comedians are turning heads everywhere you look. Toronto, Vancouver, and Montreal have always brought us comedy gold, but lately, the spotlight is shifting to the fresh faces shaking up every room. From festival wins to social media buzz, a whole new wave is setting the tone.
Here's a quick look at emerging talent making a name for themselves this year:
Comedian | City | Festival Highlight | Recognition |
|---|---|---|---|
Mayce Galoni | Toronto | Just For Laughs New Faces Showcase | Stand-out Newcomer |
Amber Harper-Young | Vancouver | Just For Laughs NW | Audience Favourite |
Charles Haycock | Edmonton | Just For Laughs | Critic’s Choice |
Ronald Hae | Mississauga | Just For Laughs | Rising Star Nominee |
Breakthrough Artists from Diverse Backgrounds
This year, comedy stages are more colourful than ever. You see it in lineups, you hear it in the punchlines about growing up with two passports or having a family feast on Lunar New Year. The newcomers come from all walks—Sudanese-born comics, Caribbean-Canadian voices, and those blending multiple languages into one flawless set. These comedians are:
Swapping classic jokes for honest stories about identity
Amplifying underrepresented perspectives in the biggest clubs
Winning festival spots that used to go to the same old faces
I went to a sold-out show last month, expecting the usual. Instead, I got stories about border crossings, grandmothers who mix up punchlines in different languages, and jokes about the confusion of being both Canadian and something else. The room was laughing for all the right reasons, and no one wanted it to end.
There's a new energy in the clubs—if you haven't been out lately, you might be surprised at how much the fresh voices have changed things.
Cross-Border and Cross-Genre Collaborations
Something else is happening: up-and-coming comics are working with each other, across cities and countries. They're linking up with YouTubers in the US, podcasting with British acts, and even writing bits that blend stand-up with sketches, music, and improv. It makes every show unpredictable, sometimes wild, and often way more personal than what you’d expect.
A few ways collaborations are shaping the scene:
Co-headlining North American tours that mix old-school club acts and digital stars
Comedy specials recorded in English and French, then shared around the world
Social media challenges where Canadian comics tag US and UK peers in original sketches
If you want a taste of what’s popular on stage, it’s smart to check out this list of the top 10 funniest stand-up comedians for 2025. Up-and-comers are often opening for these huge names, learning fast, and earning fans on both sides of the border—sometimes overnight. The boundaries are gone, and that’s what keeps people coming back.
Conclusion
So, that’s what’s happening with Canadian stand-up comedy in 2025. It’s honestly a bit of a whirlwind. There are new faces everywhere, and the old guard is still hanging around, but everyone’s trying something different. You might see a comic riffing with the crowd one night, then catch someone else telling a story about their family that’s both funny and a bit raw. The big cities are buzzing, but even the smaller towns are getting in on the action. Social media’s made it easier for comedians to get noticed, and you never really know where the next big name will pop up. If you’re thinking about checking out a show, now’s a great time. You’ll probably hear something you haven’t before, and who knows—you might just find a new favourite. Canadian comedy’s in a good spot, and it feels like things are only going to get more interesting from here.
Frequently Asked Questions
Who are some of the new Canadian stand-up comedians to watch in 2025?
Some rising stars in 2025 include Jay Rainville from Toronto, Melanie Rose, Jacob Samuel, Anjelica (winner of the 2024 Boston Comedy Festival), and Ronald Hae from Mississauga. They’re known for their fresh jokes and real-life stories.
How is Canadian stand-up comedy becoming more diverse?
Canadian comedy now features performers from many backgrounds, including multicultural, LGBTQ+, and more women comics. This mix brings new stories and makes shows more interesting for everyone.
Which Canadian cities are the biggest hotspots for stand-up comedy right now?
Toronto, Vancouver, and Montreal are the top cities for comedy in Canada. Toronto has busy clubs, Vancouver is known for creative acts, and Montreal is famous for its bilingual shows and big festivals. Smaller cities are also getting noticed for their local talent.
How are comedians using the internet to grow their careers?
Many comedians use social media like TikTok and Instagram, as well as podcasts, to reach new fans. A funny clip can go viral and help a comedian get noticed far beyond their local club.
What new styles or trends are showing up in Canadian stand-up?
Comedians are mixing things up by trying improvisation, blending music or art with comedy, and using non-traditional show formats. There’s also a focus on honest storytelling, with comics sharing personal stories and everyday mishaps.
What role do comedy festivals play for new Canadian comedians?
Festivals like Just For Laughs help new comedians get noticed. Winning an award or even just performing at a big festival can launch a comedian’s career, leading to tours, TV spots, or more online fans.






